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That said, one of the articles that interested me the most concerns a notion that is widely used in literature, cinema and other arts, it is the double. This double that can be an enemy or an ally and this in several other spatio-temporal dimensions. Sometimes it is an alter ego that questions us about this other self.

This literary process is not easy to implement. I advise you to test it in your story with one of the characters and to evaluate whether it is necessary, whether it brings new light to the discourse you want.

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You could meet me  in the morning till 11 hours. to discover my books.

This event would happen with le cercle des auteurs catalans during les floralies chemin de Juhègues. Free admission.

GPS coordinnates to come :

Latitude 42.762618

Longitude 2.986588

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I participated in this meeting which seem interesting for the artists here is a little report on this subject. The interventions of several participants including a visual disability awareness association and a specialized publishing house.

One of the most important information for reading adapted books concerns the font used, its size and the fact that it is necessarily without serif. The text needs to be formatted (paragraph, leading, etc.) too. A font has been developed following several studies, firefly is available on this website.

Tips

:

Avoid fonts with serif, that is to say with wheelbase, for reasons of accessibility.

Prefer a suitable size for reading or that can be enlarged with a support tool.

Regarding formatting air paragraphs with interlines.

Following the conference, a font that can be downloaded and used free of charge was proposed by a speaker: link to the website of this font.

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I made the choice to explore several themes such as burlesque which is close to musical theater and also to revisit certain classics such as William Shakespeare.

My visit to the off village was very rewarding on a professional level. I attended an author’s conference (interview of Michèle Gazier by Harold David) as well as a round table on theatrical writing, three different profiles of artists working in live performance exchange their experiences with the public.

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Internet link :

Press article (histoire et civilisations magazine).

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On Sunday, May 22, a Book Fair in Palau del Vidre (Pyrénées-Orientales) will take place.

At 3 p.m., I will participate in a discussion with the authors Catherine Barcelonne and Elisabet Guillot about the fantastic novel. At this time, I will reveal some of my writing processes and we will talk about the different influences of this style. Come and meet us for an interesting theme.

Throughout the day, activities will be offered to you with speakers and many writers. Do not hesitate to come and discover them.

The full program is below:

10:00 a.m Opening of the book fair
10:30 a.m Reading of an extract by Jean-Philippe Lapeyre
10.45 a.m Reading of an extract by Thérèse Cau
11:00 a.m Reading of extract by Adrien Ballayre
11:30 a.m Reading of an extract by Fabienne Clolus Pierre
11:45 a.m Reading of an extract by Laetitia Bonnafos

2:00 p.m. Discussion : “multifaceted literary creation” with Matthieu Urban, author and composer. Questions from the audience.
2.30 pm Discussion: “artistic creation and communication around the book” speakers Jules Morice – addon, Emma Morice – amme gallery. Questions from the audience.
3:00 pm Discussion : “the fantastic novel” with the authors Céline Valette, Catherine Barcelonne, Elisabet Guillot. Questions from the audience.
3:30 p.m. Reading of an extract by Catherine Barcelonne
4:00 p.m. Reading of an extract by Christelle Assenat
4:30 p.m. Reading of an extract by Christian Dang
5:00 p.m. Reading of an extract by Gisèle Gonneau
5:30 p.m. Reading of an extract by Marité Kurtz

Children’s corner with Haikus creations filmed by the students of the Jules Verne school.

6:00 p.m. Closing

The book fair is organized by the Town and CAC 66 (authors association)

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Feedback about this event

We were 35 authors and everything went well. I met the public and professionals. My conversation about the fantastic novel met some success. I enjoyed working on this theme with Elisabet Guillot and Catherine Barcelonne and listened to readings of other authors. Thank you all.

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